BARRELLED OVER

Wine expert JamieGoode explores the use ofoakin ageing wine.

Despite their importance in the winemaking process, the positive effect of barrels was most likely a lucky discovery made hundreds of years ago: they just happened to be the best way of storing and transporting liquids, and the fact that they could add something to the wine was a nice bonus. However, oak’s accidental association with wine has been a critical one. The majority of fine red wines are dependent on oak barrels for a vital component of their flavour, as are a good number of whites. Without oak, wine. would be quite different. Even where older, larger barrels, which don’t have such a direct flavour impact, are used, their ability to allow exposure of the contents to small amounts of oxygen is important in the development of the wine.

Why is oak so good for barrel construction? It is strong and has the capacity to make containers that are water-tight. But perhaps most significantly, oak has chemical interactions with wine that can enhance its flavour and structure. That’s why, in this technological age, barrels still haven’t been replaced in most wineries. For those who use them, the choice of barrel is an important winemaking decision, and skilled producers will be as fussy about the barrels they use as they are about the condition of their grapes.

Typically, oaks used in barrel production are classified on the basis of their geographic origin. The first and most important distinction is between French and American oak. American oak is a separate species with quite different characteristics from French oak. Within the category of French oak further subdivisions are made according to the forest region. The situation is further complicated by the fact that each cooper has their own house style. This interplay between oak species, environment and human intervention makes the science of barrels pretty complex.

Before oak is used for barrel construction it must be seasoned, in order to bring its humidity levels into line with the environment it will be used in, and to allow some important chemical modifications to occur. This typically takes two or three years. Seasoning is a bit of a balancing act: you want to leave the wood long enough, but not too long; it normally takes place outdoors.

Barrels don’t just impart flavour directly. Another equally important, but less talkedabout, effect of ageing wine in barrels is that this allows a very slight and controlled exposure to oxygen. Normally, winemakers do all they can to avoid exposing their wines to air, but in this case the very low-level oxidation that barrels permit is beneficial.

Not everyone likes or wants the flavour imprint that new oak barrels stamp on a wine. While certain styles of wine have got the stuffing to absorb flavour compounds from new oak without being dominated by them, many wines are best aged in secondthird- or even fourth-use barrels.

What sorts of flavours do you get from oak? New French oak barrels tend to give a spicy, slightly roasted, toasty, smoky edge to a wine, perhaps with a hint of vanilla. American oak is usually more obvious, with a pronounced spicy vanilla character, a distinctive sweetness, and often overtones of coconut. When oaking is overdone — unfortunately it’s not all that rare to find over-oaked wines, particularly from California, Spain and Australia — it actually makes the wine taste woody.

The best winemakers will aim to use barrels to add complexity and structure to their wines without it being obvious that they’ve used new barrels. Many wines will actually declare what sort of oak regime they have used on the back label, and you can use this information to help educate you about the impact of oak. If you want to spot the difference that barrel ageing brings, it might be worth comparing a Rioja Reserva (usually aged for a long time in American oak barrels) with a cheaper, younger unoaked Rioja, and then perhaps a young classed growth Bordeaux (usually aged in new French oak barrels). Or try an oaked California chardonnay alongside a chablis (which will typically be unoaked). These sorts of experiments will help you decide whether or not you l i ke the taste of oak in your wine, and even whether your preference is for French or American barrels.

Despite their usefulness, barrels have some drawbacks, chiefly that they are expensive and difficult to manage. Increasingly, oak chips, staves and even liquid oak extract have been used to give cheaper wines some oak complexity and flavour. The results are mixed, and rarely replicate the characteristic imprint of barrels, although research is ongoing and product quality seems to be improving. Are the days of the barrel numbered?

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